![]() The formality of the site is acknowledged in the sofas’ structural design, whose durable simplicity recalls that of an ordinary park bench. The sculpture plaza, which is surrounded by office and apartment towers, a hotel and two wings of the museum, is a formally austere urban space. Conventions that divide industrial and domestic, outdoors and indoors, public and private slyly intermingle. At MOCA, “Test” is West’s first site-specific museum installation in the United States.Ī merger of materials familiar from heavy-duty urban construction sites and domestic living rooms suggests the playfully disconcerting nature of the sofa installation. Last year, he showed sculptures of plaster, papier-mache and gauze in a group show at Rosamund Felsen Gallery, a solo show at Burnett Miller Gallery and in New York at David Zwirner Gallery. ![]() The 47-year-old artist is not yet well-known outside Europe. There, in a courtyard off the city’s main plaza, a slew of West’s steel sofas-this time upholstered with rugs-became an inevitable gathering spot for the show’s throngs of visitors. The “Test” sofas are related to an earlier installation titled “Auditorium,” which garnered considerable attention at the most recent installment of the international art extravaganza Documenta, mounted in the German city of Kassel in the summer of 1992. They decorate sturdy, high-back sofas constructed from welded rebar and steel mesh. Sewn into slipcovers and bolsters, the fabrics were chosen by West’s collaborator, Gilbert Bretterbauer, during forays into downtown L.A.’s booming garment district. ![]() Those colors range from shocking pink, yellow and purple to lively polka dots and multicolored African prints.
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